Freedom Road, by Howard Fast. "Gideon Jackson, a former slave, returns to the home of his youth in order to begin his post-war life. His wife and children await him and they take their first, halting steps into a free future. Then the notice comes that all the men over age 21 are meant to go into town to vote. From this simple act comes more change than Gideon ever counted on, and maybe more than he wanted, at least at first. Based on historic facts for those who care to dig deeply enough, Freedom Road presents a searing, alternative view of Reconstruction, using the words and work of the people it helped; the people for whom freedom was recently earned with great difficulty, and not to be forsaken at any price." (from Amazon)
Spartacus, by Howard Fast. "Everyone knows the basic story of Spartacus, the anonymous third-generation slave sold to a gladiator school to fight for the amusement of decadent Romans, and how he ended up leading a gigantic slave rebellion that nearly destroyed the Republic. What Fast explores in the novel is how and why this rebellion came about, and what effect it had on the psychology of the Romans, whose culture even during the years of the Republic was enormously dependent on slavery. Most importantly, Fast explores the moral climate of Rome by following around the "victors" of the Servile War as they reminisce about Spartacus and how he was defeated. It is in this backward-looking manner that "Spartacus" unfolds. Fast draws his characters, most of whom are real-life figures, with wonderful clarity: Crassus, the general who crushed Spartacus' rebellion, is shown as "the bronze hawk of the Republic" -- ruthless, sensual, grasping, yet ultimately hollow; Cicero, the historian-philosopher, as a scheming opportunist of the worst sort; Gracchus as a basically decent man turned cynical and decayed by the evils of his society. The lesser Roman characters are much worse: empty-headed, venal, vain, cruel, parasitic, sexually depraved, almost unspeakably vicious and treacherous, all holding onto illicit fortunes wrung from the sweat and labor of slaves, and all desperate to increase their wealth, power and position relative to each other. Nor are the common folk of the cities and towns spared: Fast depicts them in passing as a lazy, bloodthirsty, amoral mob who live for cheap wine and the grain dole and the games, who "strangle their children at birth" and whore themselves on the streets for pennies. In contrast, Fast holds the slaves as being rendered pure and noble by virtue of their suffering. Spartacus is depicted as almost Jesus-like in his simplistic divinity; Varinia (his lover) as a pillar of wifely and motherly virtue; David (the Jewish gladiator) as a hate-filled soul brought to love and redemption through his apprenticeship at Spartacus' side. Once freed, the slaves live in perfect socialistic harmony, sharing their property, keeping no more than they need, living as equals and brothers, and -- inflamed by their passion for freedom -- fighting like lions against the numerically superior and better-equipped Roman legions. If all of this seems rather heavy-handed to you, it is. Fast's Rome is metaphoric. The Romans are modern-day capitalists, the slaves the modern-day working class; and in attacking capitalism and imperialism he is suggesting, as most Marxists did, that the triumph of socialism/communism is a "historical necessity"....not because it is stronger (the slaves are defeated), but because it is righteous (the slaves will rise again). It hardly comes a surprise that this book was required reading for many Soviet schoolchildren." (from Amazon)
No comments:
Post a Comment